Голубь и Лев
Alona & Sam
Voyeur Nocturne
Редакционная статья «История», впервые опубликованная в журнале Prestige International Magazine в Париже
LUXE ALU Tekhnicheskiye detali
LUXE ALU Tekhnicheskiye detali
Ruchnaya khudozhestvennaya pechat' na zakaz: Sublimatsiya krasitelya pri temperature 400°F, superglyantsevaya roskosh'
Vysokokachestvennyy alyuminiy ruchnoy rezki po individual'nomu zakazu
Dostupno po zaprosu: Derevyannyy poplavok ruchnoy raboty, zoloto | Chernyy | Olovyannaya klinovidnaya rama ili tonkaya konstruktsiya. Glubina boleye 1 dyuyma.
Muzeynaya galereya, arkhivnoye izdaniye
139,7 kh 91,44 sm 55 kh 36 dyuymov | 114,3 kh 76,2 sm, 45 kh 30 dyuymov
0,10668 sm Tolshchina 0,042 dyuyma Original'naya pechat' na ALU
Frantsuzskaya zastezhka na spine
Sroki 28-35 dney Proizvodstvo. Ustanovka po zhelaniyu. Ne veshayte pod pryamymi solnechnymi luchami.
Spetsial'nyy zapros pri nalichii materialov:
- Professional'naya pechat' Kodak Silver Metallic Endura Custom Print. Arkhivnaya pigmentnaya khromogennaya pechat'.
- Professional'nyy arkhiv Fujicolor Crystal Archive v glyantsevom ili shelkovom ispolnenii v zavisimosti ot izobrazheniya.
- Professional'naya tryapka s printom Hahnemühle FineArt vysshego kachestva ili bambuk. Unikal'naya eksklyuzivnaya bumaga dlya unikal'nogo eksklyuzivnogo iskusstva. Vyssheye kachestvo. Sertifitsirovany nezavisimymi institutami kak vysokoustoychivyye k stareniyu i veganskiye.
Razmer podlozhki ogranichennoy serii
Alyuminiy yavlyayetsya samym rasprostranennym metallom v zemnoy kore i dobyvayetsya v osnovnom iz boksitov. Yego legkost', ustoychivost' k korrozii i prochnost' (osobenno v splavakh) priveli k shirokomu ispol'zovaniyu v bytovoy utvari, detalyakh mashinostroyeniya i aviastroyenii.
V RAMKE: IZGOTOVLENNOYe ZOLOTO | CHERNYY | OLEV | PLAVAYUSHCHEYe DEREVO | TONKOYe DEREVO | FRANTSUZSKIY KLET | POSTAVLYAYETSYA V KOROBKE | SROKI IZGOTOVLENIYA 28-35 DNEY
Voyeur [a] Nocturne Project — eto prodolzhayushchiysya proyekt.
Opredeleniye: vuayyerist: podglyadyvayushchiy, udovol'stviye ot taynogo nablyudeniya; noktyurn: izobrazheniye nochnoy stseny; iskusstvo
Nasser.Studio Gallery Edition Limited.
Как это произошло
167-y den' goda, sreda, 15 iyunya. V 8:53 utra bylo 75°F, v 9:53 — 80°F. YA nachal rano, v 4:35 utra, i mne nuzhno bylo poyekhat' v mesto, kotoroye ya vybral dlya etoy modnoy istorii, — Vostochnyy Los-Andzheles, dom, kotoryy remontirovalsya. V obshchem, eto bylo pustoye mesto, gde velas' rabota, kotoraya rabotala na etu postanovku.
YA razgovarival s Morin primerno za chetyre dnya do etogo, kogda ona upomyanula Sema i polucheniye akkreditatsii v yego kolledzhe. Sem, ochen' krasivyy, cherty i stil' dzhentl'mena, zagadka v glazakh, tikhaya rech', ulybka, kotoraya lomayet guby, prizyvaya cheloveka chuvstvovat' sebya komfortno, odnako v yego vzglyade, mechtatel'nom, mozhno bylo uvidet' yego yarostnoye obayaniye i reshimost'. moshchnyy. «Mouriin, prikhodi syuda, zabroniruy bilet i priglasi Sema syuda dlya etoy redaktsionnoy stat'i…» pauza… «O Bozhe moy O Bozhe moy O mmmm Bozhe, Amin, ty shutish', eto sdelayet Sema takim schastlivym i…. okh… ty dazhe ne predstavlyayesh'… ladno, dorogaya, Dorogaya, ya tebe perezvonyu! Bozhe moy!!" «O, Amin, eto mne pomogayet… ty dazhe ne predstavlyayesh'». «Konechno, ya ponyatiya ne imeyu! Pravda, Morrrrriyenn!
YA, konechno, ponyatiya ne imel, kak ya eto delayu, odnako mne khotelos' eto sdelat', eto byla yedinstvennaya mysl'. Kak? Da, u menya byla ideya, poetomu dom i modeli. Chto kasayetsya ukladki, pricheski i makiyazha, ya peredal ideyu Sema na fotografiyakh Melisse, stilistu, kotorogo ya nanyal dlya etoy redaktsionnoy stat'i, a takzhe Veronike, shef-povaru po makiyazhu, i Indo, dizayneru volos. YA khotel Vzglyad Sema! I ya poprosil Veroniku postavit' Kadzhali (ili Andzhara, kak upominalos', kogda yego nadevali na menya v detstve — da, pravda!) pod glaza Sema. YA khotel, chtoby etot pronzitel'nyy vzglyad i ocharovaniye soblaznili zritelya, osobenno tsvetom yego volos. glaza. Etot Lev, etot Golub', etot Svirepyy vzglyad. Snimok velikolepen. Sem byl ocharovan. Alona, Potryasayushchaya zadykhayushchayasya. YA byl ocharovan.
Koroche govorya, rukovodit' Semom bylo legko, on ne modeliroval, ne tak, kak dlya takogo roda modnoy istorii,… i tam, gde eto ne bylo postanovochno i so spontannym vspleskom. YA chasto rabotayu tak, chtoby peredat' etot mgnovennyy zakhvat doli sekundy. Rezhisserskaya rabota Sema i Alony byla prevoskhodnoy!
Alona. YA byl v vostorge ot raboty s Alonoy, yeye krasota plenila menya, osobenno v ney yest' nevinnost', kotoraya rasskazyvayet istoriyu v zagadochnoy zhenstvennoy manere, kotoraya raskryvayet etu absolyutnuyu krasotu Zhenshchiny i zhelaniye, chtoby vy ponyali svoi mysli! Etot vopros, kotoryy voznikayet, kogda ya smotryu v vidoiskatel' korpusa kamery, o tom, kak u menya perekhvatyvayet dykhaniye ot etogo cheloveka… i deystvitel'no, stoit li mne nazhat' knopku spuskovogo kryuchka dlya snimka ili pozvolit' svoyemu serdtsu nablyudat' za etoy istoriyey. Chto ya zametil v Alone, tak eto to, chto kogda menya osvobodili, kak v napravlenii, no bez napravleniya, ya nashel nasmeshlivoye ocharovaniye. Ona neveroyatno otzyvchiva, s ney tak priyatno razgovarivat', vnimatel'no slushat'. Yeye obayaniye, bezuslovno, pokazyvayet vam, o chem ya zdes' govoryu. Nu posmotrim, konechno, mne prishlos' s ney sfotografirovat'sya za kulisami. Yesli vy vnimatel'no posmotrite v glaza Alony, to uvidite zagadku istorii dalekogo mesta v Korolevstve, gde sushchestvuyut tol'ko golubi i l'vy, i vot ona u menya.
YA ne obrashchayu vnimaniya na bessmyslennyye parametry fotografii, diafragmy ostanavlivayut vas ot samikh sebya, a skorost' dolzhna byt' tol'ko v vashem ume i voobrazhenii, chtoby ponyat', kak poymat' etot moment i nasladit'sya etim kadrom. Vse ostal'noye na samom dele yerunda — da, pravda. Ne sushchestvuyet ideal'noy tochnoy ekspozitsii, krome toy, kotoruyu vy myslenno predstavlyayete posle togo, kak sdelayete snimok. Ideal'nogo tsveta ne sushchestvuyet. Yest' tol'ko sovershennaya emotsiya momenta doli sekundy. Eto vasha «Sladkaya zhizn'». Akh, prekrasnaya zhizn'!
Osveshcheniye: upakovka Profoto Acute 1200, s kotoroy ya legko puteshestvuyu. Odna golova s drugoy slegka podprygivayut gde-to. Nikon s Nikkor i vsemi RAW NEF s dobavleniyem NIK DXO posle Lightroom i chaya Earl Grey Sage. Zont Photek ot dozhdya khot' i nikogda ne byvayet, odnako ya vsegda ispol'zuyu rezkiy svet. Yesli yest' smysl ispol'zovat' softboks, to ya ubezhdayus', chto tam napisano «dostich' rezkosti», i ne tol'ko potomu, chto eto softboks.
Vostochnyy Los-Andzheles: 80°F, veter 14 mil' v chas, yugo-zapadnyy yugo-zapad, tochka rosy 64,32. U menya bylo 37,2 gradusa ili 98,96. Goryacho!
I mne nravilos' fotografirovat' Alonu i Sema. Golub' i Lev.
Gear & Technique
Tsifrovyye fotoapparaty Nikon D800 D810
Ob"yektivy Nikkor — 17–35 mm, 85 mm, 70–200 VR IF-ED na sredney diafragme
Profoto Acute Stroboskopy
Fotek Umbrallas
Shtativy Manfrotto i Gitzo
Vozdeystviye izmeryayetsya, no ne kontroliruyetsya
Vse fayly snimkov RAW NEF
Net sshivaniya
Adobe Fotoshop | Adobe Laytrum | Nikon NX Studiya | DKHO NIK
Programmnoye obespecheniye DXO NIK dlya povysheniya rezkosti i tonal'nosti tsveta.
Tonirovka i graduirovka. Znacheniya osveshchennosti osnovany na yarkosti.
Master Awards Winner International Photographer | Celebrity Fashion Art Nude Architecture Portrait
Alona & Kirby & Sam
Out Of The Box | A Fashion Editorial
Custom Wedge Float Frame. Shipped in a crate.
Nastennaya vitrina s plavayushchey ramkoy dopuskayet zazor okolo 1/4 dyuyma mezhdu krayem podlozhki dlya pechati i ramkoy. Syuda vkhodyat ramka, podlozhka dlya pechati (khudozhestvennaya pechat', metall, galereynyy kholst), podlozhka i piloobraznaya ili provolochnaya veshalka. On postroyen po razmeru, unikalen, samobyten, pyshen i podcherkivayet iskusstvo s ugryumym oshchushcheniyem bogatstva.
Wedge Float Frame
Contact The Studio
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